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A sleek, possessed car terrorizes everyone it comes in contact with.

Leland Gaunt comes to Sheriff Alan Pangborn’s pleasant little New England town, and opens a store. What this kindly Satan sells is whatever you need, from a surcease from pain to an object which you have always coveted. The Faustian price is, of course, corruption, and soon the poor sheriff’s town is wracked by jealousy, spite, and violence.

Carly Jones (Elisha Curtberth), her bad boy brother Nick (Chad Michael Murray), her boyfriend Wade (Jared Padalecki), and her friends Paige (Paris Hilton) and her boyfriend Blake (Robert Richard) and Dalton (Jon Abrahams) travel to another city to watch an important game. They decide to camp in a field halfway and proceed their journey on the next day. However, the fan belt of Wade’s car breaks and he stays with Carly to buy a new one in a close town, where there is a house of wax. When they arrive in the place, they realize that the place is a ghost town, and two deranged former Siamese brothers have transformed people in wax statues.

Edward Carnby (Slater), detective of the paranormal, unexplained and supernatural, investigates a mystery (the recent death of a friend) with clues leading to “Shadow Island” that brings him face to face with bizarre horrors that prove both psychologically disturbing and lethal, as he discovers that evil demons worshiped by an ancient culture called the Abskani are planning on coming back to life in the 21st century to once again take over the world… and only he and a young genius anthropologist with an incredible memory (and his ex-girlfriend), Aline Cedrac (Reid), stand in their way, at a gateway to hell. Standing in Carnby’s way, however, is the impact that a brief encounter with an evil spirit called the Queen had upon his mind, as he slowly finds himself overpowered by the forces of darkness as they eat away at his very sanity…

Fenton Meeks (Matthew McConaughey), comes forth to tell the FBI that his brother Adam may be the serial killer who calls himself God’s Hands, who the FBI has been searching for. The film uses flashbacks to show Meeks’ childhood with a father (Bill Paxton) who believed he was on a mission from God to destroy demons that inhabit human bodies. Fenton saw his dad as evil, while Adam saw him as a hero.

One man’s struggle to contain the curse he hides within… and his last-ditch attempt to free himself with the love of family. But when it looks as if he is loosing his battle, and endangering all he holds most dear, the family dog, Thor, is the last hope for his family’s survival… and the end to his Werewolf curse.

A gang of forty motorcyclists, the Black Rebels Motorcycle Club, gate-crash a legitimate motorcycle race. They are eventually thrown out, but one of the gang steals the second prize trophy and gives it to their leader, Johnny. The gang then ride into Wrightsville, where they race up and down the main street before piling into Bleekers – the local bar. The owner of the bar is happy to let the bikers spend their money, so does not support the sheriff’s attempt to address any disturbances. Stuck in town following an accident to a Black Rebel, Johnny falls for the sheriff’s daughter and tries to impress her with the trophy. When a rival gang, The Beetles, ride into town, trouble is just around the corner.

John Putnam and Ellen watch a great fireball going down near a mine. Both are the only ones, who believe the “thing” not to be a meteor but an alien starship. In the following days, people disappear and return, obviously being manipulated in a strange way. After a while, the sheriff becomes distrustful. He and his men enter the mine. But Putnam hopes to reach a peaceful solution and enters the starship …

Town Sherif and regular patron, fights to keep a historical whorehouse open when a TV preacher targets it as the Devils playhouse.

Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.

A drifter comes to town where his brother is sheriff. His brother is actually a robber who broke the real sheriff’s leg and left him for dead, and became sheriff in order to hide out. They team up against the local land baron who is trying to get rid of the Mormon settlers in a valley he wishes to own.

A young lady returns to her southern hometown to learn that her estranged father is in hiding, accused of murder in the swamps. But when the real culprit emerges, an inhuman, killing mass of mud and vines, more surprises emerge from the bog those of a town healer, of a secret buried years ago, and of the true identity of the vengeful Swamp Devil.

The lives of three young people – a rich student, a girl from the “wrong side of the tracks” and her boyfriend – unexpectedly intersect during one fateful summer in the romantic drama “Here on Earth.” Kelley Morse (Chris Klein), who is cocky and brash, normally would never have crossed paths with the residents of a small town near his posh private school. But when he takes his shiny new Mercedes out for a drive, he locks horns with some of the locals, including Jasper (Josh Hartnett). As Jasper’s willful girlfriend Samantha (Leelee Sobieski) looks on, Kelley and Jasper engage in a dangerous car race that turns disastrous, leaving a popular diner owned by Samantha’s mother in ruins. Kelley and Jasper are sentenced to a creatively ironic but fitting punishment: They must help rebuild the diner. Not only does this ruin Kelley’s summer plans, he also must board at the home of his rival, Jasper. Kelley begins to fulfill his “sentence,” but refuses to have anything to do with Jasper and his parents. When Kelley again encounters Samantha, the attraction is immediate and strong. First love blossoms in the Berkshire woods (“a little bit of heaven, here on earth,” Samantha calls the pastoral setting), angering Jasper, who has known Samantha practically his entire life. These new feelings and the romantic triangle that develops are only the beginning of a new journey for Kelley, Samantha and Jasper, as they ultimately make life-changing discoveries about themselves and each other.

As Phil Walden wanders the streets of his deserted hometown, the memories of a fateful childhood summer return. The summer he grew up. The summer that turned this once idyllic paradise upside down. The summer the stranger came to town. This stranger doesn’t beg for change, peddle ointments or speak soothe, Eli Cottonmouth builds models – enchanting models, and this sleepy southern town will be the perfect subject. His charm bewitches the townsfolk. His intentions concern the town fathers. And his secrecy captivates two curious boys. As Eli works to re-create the true essence of the community, the boys act as his eyes and ears. Armed with his ancient camera, they snap vignettes of small town life. But, shot-by-shot, Eli changes the way they look at the town. Childish wonderment turns to despair as the boys’ eyes open to the true nature of the world around them. That understanding, and Eli’s hidden purpose, threaten the existence of the entire town.

Joker Jackson and Noah Cullen are two convicts on a chain gang who hate each other. After a truck prison accident, they flee and are pursued by the police. While they’re chained, the two are dependent on one another. When they eventually get rid of their chains, their hostility has been changed into fellowship and respect.

In the 1870′s, U.S Marshal Mike S. Blueberry tries to stop Wally Blount, the man who killed his girlfriend, from getting to a stockpile of gold hidden in Indian territory. On his way, he meets Prosit, a German villain on a persistent mission to find gold in the Superstition Mountains.

Plagued by nightmares and her sister’s suicide, Maria joins her friends on a road trip to a vacation home in a remote desert town. Once there, she finds herself hunted by El Charro (Andrew Bryniarski) – an ancient evil driven to exact a brutal revenge on Maria’s lineage. The Curse of El Charro creates a world where 70′s exploitation, 80′s character based horror, and German Expressionist silent films can coexist against a backdrop of religious portends, bizarre dreamscapes, and chicks covered in blood.

Remake of the 1958 horror sci-fi about a deadly blob which is the spawn of a secret government germ warfare project which consumes everyone in its path. Teenagers try in vain to warn the townsfolk, who refuse to take them seriously, while government agents try to cover up the evidence and confine the creature.