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Hank Grotowski is a prison guard. He works with his son, Sonny, and lives at home with his racist father, Buck. Lawrence Musgrove has just been executed and a horrible tragedy has happened at home. Now, Hank has just met Leticia, a young black woman struggling to make ends meet and they quickly fall in love to ease each other’s pains. If only he knew that Leticia is Musgrove’s widow…

Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .

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After auditions, 12 young dancers make it to the American Ballet Academy. They’ll prepare for the student showcase to determine who will be asked to join the American Ballet Company. Tensions mount between Jonathan, the company’s aging choreographer, and Cooper, his best dancer, who also wants to choreograph. The brilliant Maureen seems poised for success, but she discovers that life is passing her by. Jody, whose body may be the wrong type and whose technique is ragged, elicits Cooper’s interest. The edgy, smart-mouthed Eva loves to dance but seems destined to be stuck in the back of the chorus. The showcase will decide their fates.

After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive.

The old bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for Vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. But she has been seen by the mysterious count Krolock living in a dark and creepy castle outside the village …

Den gamle bat forskeren, professor Abronsius og hans assistent, Alfred, gå til en ekstern Transylvanian village leter etter Vampires. Alfred faller forelsket i vertshuset-keeper's unge datteren Sarah. Men hun har blitt sett av den mystiske greven Krolock som bor i en mørk og skummel slott utenfor landsbyen …

In this investigation of our forcible society, and how pictures of the power reflect and form our culture, a middle class housewife Anna tells the history of that how they and her husband George and her 10-year-old son Georgie presented physically as well as spiritually smuggled to the torture, the power, and the death on them by two young, unexpected, white behandschuhte visitors in her weekend break retreat close to a lake.

In dieser Erforschung unserer gewaltsamen Gesellschaft, und wie Bilder der Gewalt widerspiegeln und unsere Kultur gestalten, erzählt eine Mittelstandshausfrau Anna die Geschichte dessen, wie sie und ihr Mann George und ihr 10-jähriger Sohn Georgie vorgelegt sowohl physisch als auch geistig zur Folter, der Gewalt, und dem Tod auf sie durch zwei junge, unerwartete, weiß-behandschuhte Besucher an ihrem Wochenendurlaubsrückzug in der Nähe von einem See einschmuggelten.

If the key of Mona does not insert her Yugo, she tries it in her son; if it works, she lends his car. The brakes fail; she goes through the protective rail in the river, and drowns. If main commissioner Rash finds out that the brake lines were cut, he looks for a murderer. Suspect you that: The dark son of Mona Jeff whom she denigrated constantly. Suspect two: Their man Phil whom she reduced constantly and who a matter with Rona, a waitress with a secret of her own has. Suspect three: The scenery partner of Jeff Bobby who wants Jeff has roared to Mona that he tore out with pleasure her ovaries, and who should soon be the son-in-law of the rash. Can rash find the murderer and keep Bobby from the prison?.

Wenn der Schlüssel von Mona ihren Yugo nicht einfügen wird, versucht sie es in ihrem Sohn; wenn es arbeitet, leiht sie sein Auto. Die Bremsen scheitern; sie geht die Schutzschiene in den Fluss durch, und ertrinkt. Wenn Hauptkommissar Rash erfährt, dass die Bremse-Linien geschnitten wurden, sucht er nach einem Mörder. Verdächtigen Sie denjenigen: Der dunkle Sohn von Mona Jeff, den sie ständig verunglimpfte. Verdächtiger zwei: Ihr Mann Phil, den sie ständig verkleinerte, und wer eine Angelegenheit mit Rona, eine Kellnerin mit einem Geheimnis von ihr eigen hat. Verdächtiger drei: Der Landschaft-Partner von Jeff Bobby, der Jeff will, hat an Mona gebrüllt, dass er gern ihre Eierstöcke ausrisse, und wer bald der Schwiegersohn des Ausschlags sein soll. Kann Ausschlag den Mörder finden und Bobby aus dem Gefängnis behalten?.

Two American students are on a turn walking from England and attacked by a Werewolf. They are killed, other one is mauled. The Werewolf is badly killed, but turns in it is human form and the townspeople are capable of refusing that it is existence. The surviving student begins having nightmares of hunt on 4 feet per beginning, but determines while his friend and other recent victims appear to him, by asking that he finds a way to die to liberate them from their blight, being trapped between the worlds because of their abnormal death.

Deux étudiants américains sont sur un tour marchant de l’Angleterre et sont attaqués par un Loup-garou. On est tué, l’autre est mauled. Le Loup-garou est tué, mais mal tourne à c’est la forme humaine et les citadins sont capables de refuser que c’est l’existence. L’étudiant survivant commence à avoir des cauchemars de chasse sur 4 pieds au début, mais constate alors que son ami et d’autres victimes récentes lui apparaissent, en demandant qu’il trouve une voie de mourir pour les libérer de leur fléau, étant piégé entre les mondes à cause de leur mort anormale.

Late in the evening, in an anonymous U. SEE. Town, a lonesome man sits in a bus stop. A pregnant woman runs through, presecuted by a man with a gun. Reluctantly the man saves them in the bus stop and helps with the handing over of the baby, while shoot additional pursuers in them, including the especially execrable leader of the gang, an intuitive man called the hertz. Our hero, known only as a smith, decides to save the child and to find out, why hertz wants the dead baby. In local bordello he tries to do a milk separating tart to observe the child, but things escalate fast, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, a gun factory, and a presidential campaign the integer in the search of the smith for the extreme security of the child.

Spät abends, in einem namenlosen U. S. Stadt, ein einsamer Mann sitzt an einer Bushaltestelle. Eine schwangere Frau läuft durch, verfolgt von einem Mann mit einer Pistole. Ungern rettet der Mann an der Bushaltestelle sie und hilft mit der Übergabe des Babys, während zusätzliche Verfolger an ihnen, einschließlich des besonders scheußlichen Führers der Bande, eines intuitiven Mannes genannt das Hertz schießen. Unser Held, bekannt nur als Schmied, beschließt, das Kind zu retten und herauszufinden, warum Hertz das tote Baby will. An einem lokalen bordello versucht er, eine Milch absondernde Nutte anzustellen, um das Kind zu beobachten, aber Dinge eskalieren schnell, und diese behelfsmäßige Familie ist bald auf dem Lauf. Schwere Metallmusik beruhigt das Baby. Warum? Ein Laboratorium, eine Pistole-Fabrik, und eine Präsidentenkampagne die ganze Zahl in der Suche des Schmieds nach der äußersten Sicherheit des Kindes.

Five friends approach a hut in the wood where they find the inexpressible cruelty on that it spies in the forest. They find the Necronomicon and the carved translation of the text. As soon as the strip is played, the cruelty is launched. One for one, the adolescence becomes mortal ghosts. With only a rest, he is up to him to survive in the night and to fight the bad dead men.

Cinco amigos aproximam-se de uma cabana nas madeiras onde eles encontram a maldade inexprimível que espreita na floresta. Eles encontram o Necronomicon e a tradução gravada do texto. Uma vez que a fita é jogada, a maldade é lançada. Um por um, a adolescência torna-se zumbis mortais. Com só um resto, ele está à altura dele para sobreviver à noite e combater os maus mortos.

Lee Holloway is an intelligent, strange woman in his 20’s that returns to his home town in Florida after a short stay in a mental hospital. To her search of the relief and his oppressive environment of childhood, she begins up to now a friend nerdy of the high school and takes a job as a secretary in a local legal firm, when soon the oldest chief is developing an obsessive compressing in his, Mr.. Gray. For his more and more grotesque relation, the Lee follows his most deep wishes to the heights of the masochism and finally to a place of the self-assertion.

Lee Holloway é uma mulher inteligente, estranha nos seus anos 20 que volta à sua cidade natal na Flórida depois de uma breve estadia em um hospital mental. À procura do alívio dela e o seu ambiente de infância opressivo, ela começa até agora um amigo nerdy da escola secundária e toma um emprego como um secretário em uma firma legal local, logo desenvolvendo um esmagamento obsessivo no seu mais velho chefe, Sr.. Cinzento. Pela sua relação cada vez mais grotesca, o Sotavento segue os seus desejos mais profundos às alturas do masoquismo e finalmente a um lugar da auto-afirmação.

Jarhead (the moniker imposed on himself of the Marines) is still “Swoff” (Gyllenhaal), an enlistee of third generation, of a limit that is sober in the boot field to the active duty, using the rifle of a frank marksman and wrinkle for hundred pounds in his back for deserts of Middle East without covering of the intolerable heat or of Iraqi soldiers, always potentially just over the next horizon. Swoff and his colleague Marines hold on with sardonic humanity and bad comedy to burning desert fields in a country that they do not understand against an enemy that they cannot see for a cause that they do not probe totally. Foxx portrays Sergeant Sykes, a Sea lifer who directs to the platoon of observer / frank marksman of Swofford to himself, while Sarsgaard is the friend of Swoff and the mentor, Tróia, obstinate member of the STATION – his Sea Unity of elite.

Jarhead (o moniker imposto a si mesmo dos Fuzileiros navais) segue “Swoff” (Gyllenhaal), um enlistee de terceira geração, de um limite que fica sóbrio no campo de bota ao dever ativo, usando o rifle de um franco atirador e ruga de cem libras nas suas costas por desertos de Oriente Médio sem cobertura do calor intolerável ou de soldados iraquianos, sempre potencialmente justamente por cima do seguinte horizonte. Swoff e o seu colega Marines seguram-se com humanidade sardônica e comédia má em campos de deserto ardentes em um país que eles não entendem contra um inimigo que eles não podem ver por uma causa que eles não sondam totalmente. Foxx retrata Sargento Sykes, um lifer Marítimo quem se dirige ao pelotão de observador/franco atirador de Swofford, enquanto Sarsgaard é o amigo de Swoff e o mentor, Tróia, membro teimoso da ESTAÇÃO – a sua Unidade Marítima de elite.

The conspiracy concerns Lewis Thomas (Paul Walker), a young man that the cross-country decides to go to gather to his love of secondary school, Venna Wilcox (Leelee Sobieski), of the school. In his way there, he dwarfs his brother, Fuller Thomas (Steve Zahn), of the jail. Fuller, looking for a good time, he decides to mount on horseback with Lewis. During his trip to gather Venna, Fuller it flatters Lewis in the game of a cruel prank, for his radio CB, in a truck driver known only like ‘Rusty Nail’ (expressed by Ted Levine). When the prank takes a mortal direction, Lewis, Venna, and Fuller it is to be watched mercilessly by the psychotic truck driver who looks more than an apology.

El complot concierne a Lewis Thomas (Paul Walker), un hombre joven que decide ir el campo traviesa para recoger a su amor de escuela secundaria, Venna Wilcox (Leelee Sobieski), del colegio. En su camino allí, él achica a su hermano, Thomas más Lleno (Steve Zahn), de la cárcel. Más lleno, buscando un tiempo bueno, decide montar a caballo con Lewis. Durante su viaje para recoger Venna, más Lleno lisonjea a Lewis en el juego de una broma cruel, por su radio CB, en un camionero, conocido sólo como ‘Clavo Oxidado’ (expresado por Ted Levine). Cuando la broma toma una dirección mortal, Lewis, Venna, y más Lleno se encuentran ser despiadadamente acechados por el camionero psicótico que busca más que una apología.

“The City of Sin” is Four interlaced stories by saying stories of corruption in the City of Bowl. The First History (the Client is always right) is short and based on the feminine depression which they need to pay to a man to feel loved when they commit suicide. Following History is the Part 1 “of That” Yellow Bruce Willis star Bastard as a cop who needs to save a girl to be raped. The Third History (the Hard Goodbye) introduces Mickey Rourke and his revenge on a killer without heart which assassinated its one-night stand. The fourth history (Big, big Kill) stars Cleaves Owen as a man who must dispatch the body of a cop, but it will be a hard itinerary to make him. According to whom are two conclusions of Pécher the City, the end “of that the Yellow Bastard” who is put 8 years later and a news which puts an end to the City of Sin.

“La Ville de Péché” est Quatre histoires entrelacées en disant des histoires de corruption dans la Ville de Cuvette. La Première Histoire (le Client a toujours raison) est courte et est basée sur la dépression de femmes qu’ils ont besoin de payer à un homme pour se sentir aimés quand ils se suicident. L’Histoire Suivante est la Partie 1 “de Que” Bruce Willis vedette Bâtard Jaune comme un flic qui a besoin de sauver une jeune fille d’être violé. La Troisième Histoire (le Dur Au revoir) présente Mickey Rourke et sa vengeance sur un tueur sans coeur qui a assassiné son amour de rencontre. La quatrième histoire (les Grands, Gros Tuent) les étoiles Clive Owen comme un homme qui doit dépêcher du corps d’un flic, mais ce sera un trajet dur pour le faire. Suivant qui sont deux conclusions de Pécher la Ville, la fin “de que le Bâtard Jaune” qui est mis 8 ans plus tard et une nouvelle qui met fin à la Ville de Péché.